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When I write copy for my advertising clients, I always check to make sure the
three key elements are in place. 1. psychology, 2. logic, and 3. creativity.
These are three very different aspects of ad writing, which, when combined,
produce a highly effective message. Master the technique of each, and create
ads that really sell!
It doesnt matter which part you address when. You can write out a first
draft and then go back and insert the missing aspects, or you can craft your
copy piece by piece and then put it all together at the end. For the most part,
I tend to piece together my message, but you can work however youd like.
Advertising wouldnt be advertising without psychology. How else would
you persuade or convince people that your product is outstanding in its category?
What other way is there to go about creating a need for what you sell? Persuasion
relies on emotional appeal, and emotions are driven by our psychological make-up.
A long time ago, someone thought up the AIDA method, which is good enough to
serve my purpose in explaining the psychology of advertising. Its really
very simple. A.I.D.A. Attention, Interest, Desire, Action.
Attention: Capture your audiences attention right away, with a riveting
photo and headline. Exceptional ads showcase headlines and images that work
together. (Read more about this in the paragraph about creativity.)
Interest: If you wrote a good headline, likely theyll be intrigued and
continue reading. Your ad copy is where you can isolate a fear, problem, concern
or need of theirs. Then go right into:
Desire. Make them want what you have. Pose your product as the solution to
the aforementioned problem. Build your case with examples, or even testimonials.
Action. Finally, tell your audience what to do. Buy Now! Cick here and save!
Its amazing what just a quick directive will do.
The next key feature of your message should be logic. By logic, Im referring
to how you order the words and sentences in your message to make your point.
A good writer knows to craft his message in an outline form- with the first
paragraph driven by a main idea, and supporting sentences following that premise.
Each paragraph should reinforce whats been said in the main paragraph.
This is basic English, and its the key to crafting a solid argument. You
should be able to convert your sentences to bullet points if you had to- with
each bullet logically supporting a main concept. In fact, you may even want
to use bullets, as theyre a quick way to sum up the benefits of what you
sell with no extra words to dilute the impact of what you say.
Finally, creativity is what will give your ad presentation that POW, and your
copy that extra sparkle that makes it interesting to read. Earlier, I mentioned
headlines and images that work together conceptually. What I mean by this is
a play on words thats reinforced by an image. This is the stuff of amazing
advertising, the kind that brings home a Cleo or an Addy award! Think of those
incredibly powerful Nike ads: Just Do It. Tell you customer something they wont
forget, and use a dramatic photo to cement your message into their brains. Map
out your long-term campaign, if you plan on having one, following the same creative
concept in each ad. This is brand-building at its finest!
Infuse creativity into your written message. Write in a clever and/or amusing
way, and make your ad stand out from the crowd. Use a tone thats appropriate
to your audience. Choose words that belong to that particular genre.
At any point during the conception of your written material, you can brainstorm
words or phrases that your audience uses and will likely respond to. I call
this learning their language. What this is, essentially, is imitation.
Remember when you were a little kid playing make-believe? (okay, maybe you dont--but
I do!) Play make-believe now. To warm up, read some existing material that relates
to your target group. Next, sit in a quiet spot and pretend you ARE your key
customer. Write out a list of their expressions. I wrote web copy for a high-end
caterer last month. To get my thoughts flowing, I made a list of words. Sophistication,
delectable, tasteful, elegant so on and so forth. When I was done thinking
of as many different words as possible, I was ready to inject them into my copy.
Replace lackluster words with more zippy ones. But use your adjectives and adverbs
sparingly! Theres such a thing as copy overkill, and it will make you
look like an amateur.
No matter how you approach the creation process, the most powerful ads require
that each of these key elements are in place. Again: you can implement them
in any order. When youre ready to bring it all together, take a good,
hard look at your finished draft. Go through it with a fine-tooth comb. Get
a couple of outside opinions. Step away, for a little while, and then go back
to it when youve cleared your mind. Make your changes, then give it a
final once-over. Your final presentation should be error-free and perfect in
every way!
To those that think advertising is an easy or slap-dash process: not true at
all! The greatest ads are a perfect fusion of three very different modes of
thought, expertly combined and presented in a powerfully compelling and persuasive
package. Realize this, and youre on the way to creating magical ad copy;
the kind that sells!
About the Author:
Dina Giolitto is a New-Jersey based Copywriting Consultant with nine years'
industry experience. Her current focus is web content and web marketing for
a multitude of products and services although the bulk of her experience lies
in retail for big-name companies like Toys"R"Us. Visit http://www.wordfeeder.com
for rates and samples. |